Review

MAONO AU-XLR20 Lavalier: Inexpensive XLR Lavalier Microphone

Are there any decent, low-self-noise, XLR based lavalier microphones you recommend? This question has come up quite often over the last several years. So in this episode, we have a look at and listen to the MAONO AU-XLR20, a very affordable XLR lavalier microphone which can be powered by the microphone input, or provide its own power.

You can access a sample wav file directly from the MAONO AU-XLR20 and Zoom F8n here.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at our school including one that focuses on processing dialogue audio!

Links to some of the gear used in this episode:

MAONO AU-XLR20 Lavalier Microphone

Zoom H4n Pro Audio Recorder

Zoom F8n - The audio for this episode was recorded with the F8n

Lupo Superpanel Full Color 30 RGBW LED Light - used for that crazy purple background. Review coming soon!

Panasonic GH5s Camera - my favorite small camera for video

Panasonic 12-35mm f/2.8 OIS Lens - this is the the lens I use more than any other on the GH5s

Copyright 2018 by Curtis Judd 

Music - Copyright 2018 by Cary Judd, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Deity S-Mic 2 Shotgun Microphone: Initial Impressions

At NAB 2018, Deity Microphones announced their S-Mic 2, an affordable shotgun microphone targeted at independent filmmakers with some important improvements over the original Aputure Deity Shotgun Microphone. Deity refined the voicing on the S-Mic 2 for a fuller, more balanced sound. They also coated the circuit board to reduce the microphone’s self noise. Let’s take a closer look and a listen, and even compare it to the RODE NTG-4+, a similarly priced shotgun microphone, as well as a pro-level shotgun mic, the DPA 4017b.

Links to gear discussed and used to shoot this episode:

Deity S-Mic 2 Shotgun Microphone - Coming Soon, ships July 2018

Sound Devices 633 Audio Recorder/Mixer

Aputure COB 120d - This is the light I used as a key in the talking head clips

Aputure Light Dome Soft Box - Used to soften the key light

Panasonic GH5 - My favorite small camera for video

Panasonic 12-35mm f/2.8 OIS Lens - incredibly versatile lens that is on the GH5 most of the time

Copyright 2018 by Curtis Judd 

Music - Elegance in Entropy - Copyright 2017 by The Vacationist, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

5.7" Flippable HDMI Monitor: AndyCine A6 Review

When shooting video, I find it much easier to compose great shots, hit focus, and correctly expose when I have a monitor a little larger than most cameras with some tools to help. The AndyCine 5.7” monitor is a budget monitor with a unique cold/hotshoe mount which allows you to flip it to the front of the camera when shooting selfie/vlog style. What’s more, is that it can also power several Panasonic and Sony mirrorless cameras with an add-on dummy battery so you can use larger capacity Sony NP-F style batteries for longer battery life.

Links to gear discussed and used to shoot this episode:

AndyCine A6 5.7” Flippable HDMI Monitor

Amazon US Amazon UK  Amazon DE Amazon FR  Amazon IT Amazon ES  Amazon CA

AndyCine Dummy Battery for Panasonic GH Series Cameras

AndyCine Dummy Battery for Sony a6xxx Series Cameras

AndyCine Dummy Battery for Sony a7III, a7RIII, and A9 Series Cameras

AndyCine Dummy Battery for Canon DSLR 5D, 6D, 7D, and 80D Series Cameras

Sony NP-F Style Batteries to power the A6 and your camera

NP-F Battery Charger

Sennheiser MKH8050 Boom Microphone - this is the microphone I used

Aputure COB 120t - This is the light I used as a key in the talking head clips

Aputure Light Dome Soft Box - Used to soften the key light

Lupo DayLED Fresnel Light with Barn Doors - Used for the “rim/hair” light

Blackmagic design Ursa Mini Pro Cinema Camera - used for some of the product shots

Sigma ART 24-70mm f/2.8 OS Lens (Canon EF Mount)

Panasonic GH5 - Used for some of the product shots

Panasonic 12-35mm f/2.8 OIS Lens - incredibly versatile lens that is on the GH5 most of the time

Copyright 2018 by Curtis Judd 

Music - MzA by Cary Judd, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Zoom F8n Audio Recorder: Initial Impressions

At the National Association of Broadcasters meeting earlier this year, Zoom announced their update to the F8 audio field recorder - the F8n. The focus of this update was to address many of the things that users complained about on the original - hybrid limiters that were ok, but not perfect, line inputs only on 1/4”, mediocre headphone amp, and consumer line level output among others. I had a chance to work with the F8n for a few hours. Let’s see how they did addressing these items. From my point of view, it looks like the F8n is a very nice step up from the original F8.

Links to gear discussed and used to shoot this episode:

Zoom F8n Audio Field Recorder

Zoom F4 Audio Field Recorder (similar but with 4 microphone inputs, monochrome screen, no app control)

Zoom F-Control surface with linear faders - my favorite way to mix when working from a table or cart.

Juicebox V-Mount Cine Battery - good way to power the F8n, F4, F8 all day long

D-tap to 4 pin Hirose Cable - to feed power from cine battery to F8n, F8, F4

Remote Audio BDS V4 Battery Distribution System

Remote Audio Hi-Q Battery (98 watt-hours) - this is a battery that is better suited for use in a sound bag, smaller than most cine batteries but still lots of capacity

Sennheiser MKH8050 Boom Microphone - this is the microphone I used

Schoeps CMC641 - this is the microphone my daughter used

Aputure COB 120t - This is the light I used as a key in the talking head clips

Aputure Light Dome Soft Box - Used to soften the key light

Lupo DayLED Fresnel Light with Barn Doors - Used for the “rim/hair” light

Blackmagic design Ursa Mini Pro Cinema Camera - used for the talking head clips and some of the product shots

Sigma ART 24-70mm f/2.8 OS Lens (Canon EF Mount)

Panasonic GH5 - Used for some of the product shots, the crispier shots

Panasonic 12-35mm f/2.8 OIS Lens - incredibly versatile lens that is on the GH5 most of the time

Copyright 2018 by Curtis Judd 

Music - MzA by Cary Judd, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Zoom H1n Review for Filmmakers - Impressive Sound Effects Recorder

After nearly a decade, Zoom has released an update to their very popular H1 stereo audio recorder. The “H” in H1n stands for handy, and I agree, that’s a very apt name for this little field recorder. In this episode, we review it from a filmmaking perspective. I find it to be a great device for recording stereo sound effects and as a general purpose learning tool for those new to recording sound.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at https://school.learnlightandsound.com

This episode shot with the following gear:

Zoom H1n Handy Stereo Recorder - One of my favorite tools for when I need to quickly and easily record stereo sound effects

Zoom H1n Accessory Pack - this includes the foam wind cover I find critical for recording outdoors with your H1n

Zoom Hairy Wind Cover - also critical when recording outdoors

Blackmagic Design Ursa Mini Pro Cinema Camera - Used for the talking head clips

Sigma ART 24-70mm f/2.8 OS Lens (Canon EF Mount) - This lens stays on the Ursa Mini Pro 99% of the time. Versatile and not overly sharp, which is what I wanted.

Panasonic GH5 - Used for the product shots on the white background. Small, versatile camera.

Panasonic 12-35mm f/2.8 OIS Lens - incredibly versatile lens that is on the GH5 most of the time

Copyright 2018 by Curtis Judd 

Music - MzA by Cary Judd, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!