Sound Session

Sound for Video Session: Q&A

In this week's live Sound for Video Session, we'll take a shot at answering your sound for video questions. You can submit them live, or for future sessions, just sign up for free over at http://school.learnlightandsound.com and I'll email you when its time to submit.

Gear discussed in this episode:

dbx286s Vocal Channel Strip - an analogue preamp, compressor, de-esser which can be useful for live streaming

Oscar SoundTech Lavalier Microphones

Lavalier Microphones:
DPA 4160
Sanken COS-11D
Countryman B6
Voice Technologies VT500

Copyright 2018 by Curtis Judd

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Zoom F8 Firmware Update - Most of the F8n Features!

In this week's live Sound for Video Session, we covered the new firmware 5.0 for the Zoom F8 that was announced just this morning!

Now, many of the software features in the new F8n are available to owners of the original F8:

  • Advanced Look-Ahead Hybrid Limiters
  • Zoom AutoMix™ function
  • Improved TC accuracy when powered off
  • Digital Boost for headphone monitor (up to +24dB)
  • Selectable headphone Volume Curve
  • New "Fader Mode" view for home screen
  • Maximum fader level increased from +12dB to +24dB
  • F8 Control iOS app can now work together with FRC-8
  • Ability to record to SD card and USB Audio Interface simultaneously

This is great news! Not only is Zoom taking good care of their existing customers by providing all of these new features for free, this gives potential buyers of their new F8n confidence that Zoom will continue to take care of them into the future.

See our initial impressions of the F8n video:

Gear Discussed/Used in this episode:

Zoom F8 Audio Field Recorder - This one is no longer being manufactured, but some retailers still have some and then you can probably pick up a used copy at a nice price.

Zoom F8n Audio Field Recorder - The updated version of the F8 with all of these features plus some new hardware features.

Zoom F-Control - Hardware mixing control surface

Zoom F4 Audio Field Recorder - The "little brother" of the F8

Panasonic GH5s - my favorite small camera

Panasonic 12-35 f/2.8 OIS II Lens - one of the most versatile lenses I've ever owned

Copyright 2018 by Curtis Judd

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for video Session: Q&A

In this week’s live streaming session, we took sound for video related questions from many of you!

Gear and links discussed/used to record this episode: 

Zoom F8n Audio Field Recorder (2018):

Electrovoice RE20 Broadcast Microphone

Panasonic GH5s Camera - first time using this as a live stream cam. What do you think?

Panasonic 12-35mm f/2.8 OIS Lens

Blackmagic Design Ultrastudio Mini Recorder - This takes the HDMI output from camera to the computer so we can stream it

3.5mm TRS to dual 3.5mm TRS adapter cable- asked about a breakout on the session, here’s one option

Heil PL2T Desk Boom Arm for Microphone

Copyright 2018 by Curtis Judd

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Meter Types (featuring the Zoom F8 & F8n)

In this week’s session, we share an excerpt from the upcoming online course, “Getting the Most From Your Zoom F8/F8n Recorder.” In this particular segment, we cover the different types of meters and when you might want o use each type. - VU, peak, dBFS, and dBu. You’ll be a better audio engineer once you understand this.

Gear and links discussed/used to record this episode: 

Zoom F8n Audio Field Recorder (2018)

Zoom F8 Audio Field Recorder (2015):

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Keep an Eye by Back to Dream. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Zoom F8/F8n Setting Gain Trim

In this week’s session, we share an excerpt from the upcoming online course, “Getting the Most From Your Zoom F8/F8n Recorder.” In this particular segment, we cover how to set the gain trim, the various track knob modes, and demonstrate how to optimize your gain in relation to the limiters. Lots of fun!

Gear and links discussed/used to record this episode: 

Zoom F8n Audio Field Recorder (2018)

Zoom F8 Audio Field Recorder (2015):

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Keep an Eye by Back to Dream. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Q&A - Timecode Generators, Sennheiser vs. RODE Wireless, and More

In this week’s sound for video session, we answer your questions!

00:20 Can I use the timecode generator in my recorder and then just buy generators for each camera (GH5 and GoPro)?
02:13 What is the difference between the Zoom F8n and Sound Devices MixPre-10T?
04:26 Can I use a Tentacle Sync connected to my computer with Screenflow?
05:43 Sennheiser G3/G4 vs RODELink for long interviews (4-8 hours)?
06:38 Connect audio recorder to an ATOMOS video recorder?
08:19 How do I power all of this stuff for 8 hours since I will not always have AC power?
10:20 Small Traveling light recommendation? (Aputure F7)
11:38 How do you transport your camera/audio recorder when flying?
13:44 Sennheiser 416 or RODE VideoMic Pro+ & Ursa Mini Pro?
17:09 How do you control the order that effects/plugins are applied in a DAW?
21:26 Is there such a thing as an acceptable amount of timecode drift?

Previous episodes referenced - Sound Devices MixPre Re-mix Demo:

ZOOM F8n First Impressions:

Sound Devices MixPre-10T Review:

Previous Sound for Video Session where we covered batteries:

Sound Bag Tour:

Please consider my sound for film classes available over at http://school.learnlightandsound.com

Gear and links discussed/used to record this episode: 

Dummy Battery adapter for Panasonic GH cameras (D-Tap to GH camera) - power your Panasonic GH camera for hours with a cine style batter like the JuiceBox below.

JuiceBox V-Mount Battery - cine battery that can also power your recorder
 
Zacuto Zwiss Plate V2 to attach the cine battery to your camera rig (requires rods)

V-Mount Battery Plate to hold the battery to the cheese plate

Aputure COB120D LED Light

Sennheiser MKH-416 Shotgun Microphone

RODE VideoMic Pro+ - Camera shoe mount shotgun microphone

Sound Devices MixPre-3 Audio recorder/mixer

Sound Devices MixPre-6 Audio recorder/mixer

Sound Devices MixPre-10T Audio recorder/mixer with timecode generator

D-Tap to Hirose Adapter Cable - to use a cine battery with your Zoom F4, F8, F8n or Sound Devices MixPre-10T

Electrovoice RE20 Dynamic Broadcast Microphone - used to record this session

Sound Devices 633 Audio Recorder/Mixer - Used this as the preamp for the microphone and then fed the audio to the camera in this episode

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Sunday by Young Pixies - Amazing Journey. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: ZOOM vs Sound Devices, Timecode Generators, Essential Gear & More

In this week’s sound for video session, we answer your questions!

00:40 Zoom F8 or Sound Devices MixPre-10T if I also record music?

03:29 Zoom F8n vs Sound Devices MixPre & getting location sound jobs

08:54 Choosing Timecode Generators: NanoLockit, Tentacle Sync E, Timecode Systems

13:12 Wired Lavalier recommendation (Audio Technica AT899)

14:01 Batteries for powering recorders with hirose power inputs

16:15 Recording audience at live performance

18:10 Essential gear for location sound

Previous episodes referenced - Sound Bag Tour:

Recording live performance sound with Mike Stranks:

Ambient Sound NanoLockit:

Tentacle Sync E:

Timecode Systems Overview:

Sound Blanekts:

Gear and links discussed/used to record this episode: 

Audio Technica AT899 Wired Lavalier microphone

JuiceBox V-Mount Battery & Charger

D-Tap to Hirose Adapter Cable

Electrovoice RE20 Dynamic Broadcast Microphone - used to record this session

Blackmagic Design Ursa Mini Pro Camera - Used for the talking head clips

AJA U-Tap SDI - Turns any camera with an SDI output into a webcam. Used to record the talking head clip

Sound Devices 633 Audio Recorder/Mixer - Used this as the preamp for the microphone and then fed the audio to the camera in this episode

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Sunday by Young Rich Pixies - Amazing Journey. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Fairlight Audio First Impressions

In this week’s Sound for Video Session, we take a first look at DaVinci Resolve 15 Beta’s Fairlight audio panel. This is a full-fledged digital audio workstation (DAW) within a comprehensive video editing, compositing, grading, and finishing application. We aren’t going to dig into all the details, but try to answer the question about whether one can now switch to DaVinci Resolve for audio mixing? The answer is different for everyone, but I hope you find this helpful in making the decision for yourself.

**Update: Several astute viewers have pointed out that you can set the loudness target (LUFS) in the settings. That's great news! It still is not an offline process - still need to play through the entire piece - but it is a step in the right direction.

Gear and links discussed/used to record this episode: 

DaVinci Resolve with Fairlight Audio (beta or production and free or Studio versions)

Electrovoice RE20 Dynamic Broadcast Microphone

Allen & Heath SQ5 Digital Mixer/Audio Interface - This is my first time using this to record a Sound for Video Session. Seems like it worked nicely.

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Keep an Eye by Back to Dream. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Timecode Systems Demo: Pulse, UltraSync One, SyncBac Pro

In this week’s Sound for Video Session, we demonstrate how timecode works with the Timecode Systems series of timecode generators and wireless sync devices: Pulse, UltraSync One, and SyncBac Pro. In addition to wireless syncing which keeps all of the timecode generators for each cinema, DSLR, or mirrorless camera and audio recorder perfectly in sync, the SyncBac Pro also allows you to use GoPros to perfectly sync the footage and audio from all of your cameras. With reality shoots being so common these days, having a good option for automated synchronization is something I wanted to show you.

Gear and links discussed/used to record this episode: 

UltraSync One Wireless Timecode Generator for cinema, DSLR, and mirrorless hybrid cameras

SyncBac Pro Wireless Timecode Generator for GoPro Cameras

SyncBac Pro for Hero 4
SyncBac Pro for Hero 6

:pulse wireless basestation - Transmit timecode from your bag or cart to all of the Timecode Systems devices on set & control your Sound Devices 6xx series mixer/recorder (with ethernet ports to hardwire connect to your Mac, and soon, PC)

:wave wireless basestation - Transmit timecode from your bag or cart to all of the Timecode Systems devices on set & control your Sound Devices 6xx series mixer/recorder (without ethernet ports)

Sound Devices 633 Mixer/Recorder - My main production audio recorder/mixer

Sennheiser MKH 8050 - This is the microphone I used to record this session

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Keep an Eye by Back to Dream. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link: https://artlist.io/artlist-70446/?a_aid=Curtis_Judd_99&utm_source=affiliate_p&utm_medium=Curtis_Judd_99&utm_campaign=Curtis_Judd_99

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Microphone Preamp Self-Noise

In this week’s Sound for Video Session, Julian Krause joins us to talk about pre-amplifier self-noise and other places in the audio signal chain where self-noise can be generated. My hope is that this will help inform where you may want to invest in your audio gear to solve any self-noise issues you’re experiencing.

Julian’s videos on self-noise:

How to measure preamp self noise
Preamplifier noise explained
Comparison of self noise on 4 preamps

Gear and links discussed/used to record this episode: 

Zoom H5 Audio Recorder
Sound Devices MixPre-6
Sound Devices MixPre-3
Zoom F8
Zoom F4
Electrovoice RE20 Dynamic Microphone - used to record this session

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Keep an Eye by Back to Dream. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!