Sound for Video

Sound for Video Session: Michael Wynne - Production Sound Mixer, Atlanta

In this week's Sound for Video Session, we talk with Michael Wynne who is a production sound mixer based in Atlanta, Georgia. Michael gives us a look into the TV production sound world where he works on larger budget productions. We talk about many of the practical matters; The sound team - mixer, boom operator, and sound utility. Also cover equipment, solving issues, union work, and more!

Check out Michael Wynne’s YouTube channel for some great production sound content.

Gear discussed in this episode:

Sound Devices 688 Audio Recorder/Mixer

Sound Devices CL-12 - Fader Controller

DPA 6060 Lavalier Microphone

Sanken COS-11D Lavalier Microphone

Countryman B6 Lavalier Microphone

Countryman B3 Lavalier Microphone

Copyright 2019 by Curtis Judd

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound Design with Lloyd Puckitt

This week we spoke with Lloyd Puckitt, the sound designer for the Santa Clara Vanguard Drum and Bugle Corps. Earlier in his career, Lloyd worked as a recording engineer for acts including Depeche Mode, Erasure, Mathew Sweet, Madonna, and earned platinum records with Vitamin C and Fuel.

In the late 90s, as the business side of the music industry went through some significant changes, Lloyd returned to the education and artistic side of music. Lloyd is now a sound designer and an education artist for Innovative Percussion, Evans Drumheads, Planet Waves, and Dynasty Percussion.

Please consider my sound for video classes available over at the Learn Light and Sound School.

Gear discussed in this episode:

Audio Technica AT2035 Large Diaphragm Condenser Microphone

Audio Technica AT2020 Large Diaphragm Condenser Microphone

Audio Technica AT2050 Large Diaphragm Condenser Microphone with variable polar pattern

Shure MX150 omni-directional lavalier microphone

Wireless Workbench

RF Scanner/Analyzer - RF Explorer Pro - Lloyd didn’t mention which scanner they use, but this is one example of an RF scanner

Gear Used to record my end of the conversation:

Panasonic GH5S Camera

Panasonic 12-35mm f/2.8 OIS Lens

Shure SM7B Dynamic Broadcast Microphone

Sound Devices MixPre-10T

AJA U-Tap HDMI - HDMI to USB Capture Box

Copyright 2019 by Curtis Judd

Music from Artlist: Keep an Eye by Back to Dream. You can receive a 2 month discount on a subscription to Artlist, a subscription service for stock music you can use with your videos. Check it out at Artlist.io.

Ethics statement: Some of the links above are Amazon or B&H affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Q&A 23 April 2019

This week we answer your questions about sound for video including recording, production, post, and gear.

Gear discussed in this session:

RODE WIRELESS GO - super convenient wireless microphone system for vloggers and solo shooters

DEITY Connect - dual channel wireless microphone system

Sennheiser XSW-D - super simple wireless microphone system for vloggers, solo shooters, musicians, etc.

RODE Filmmaker Kit - Wireless lavalier microphone system for indie filmmakers

Copyright 2019 - Curtis Judd

Music Copyright 2017 - TVAC, Used with Permission

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound Devices Scorpio - NAB 2019

As part of our coverage of the Nation Association of Broadcaster’s show in Las Vegas in April 2019, we talked with Paul Isaacs at Sound Devices about their new flagship mixer/recorder called Scorpio. This is a device which is aimed at larger budget, very demanding productions where lots of inputs and lots of outputs are required.

Please consider my sound for video classes available over at our school.

Gear discussed and used to record this episode:

Sound Devices Scorpio

Blackmagic Pocket Cinema Camera 4K

Panasonic 12-35mm f/2.8 OIS Lens

Electrovoice RE50L Dynamic Interview Microphone

Sound Devices 633 Mixer/Recorder

Copyright 2019 by Curtis Judd

Music Copyright 2017 by TVAC. Used with permission

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Zoom F6 - NAB 2019

Zoom just announced their new F6 field recorder for location sound audio recording. Rather than just tweak the form factor, which they did, they also moved to dual analogue to digital converters which record to 32 bit. So the way you record changes pretty dramatically. When recording to 32 bit, you don't set the gain trim (there is none), you simply adjust the fader for each input channel. If you missed the level, no problem, in post you can cleanly normalize to the levels you need with no degradation in audio quality.

They've also switched up a few other things: The screen is a slightly smaller version of the high resolution screen from the F8n, the back of the recorder is a Sony NP-F (L series) battery sled, and you can now power the F6 via its USB-C input. The same quality timecode generator from the F8n is on board, this time with a 3.5mm TRS input/output jack. The F6 has a single SD card slot for recording media and still includes the advanced hybrid limiter when you record in 24 bit.

Auto mix is included and the with an adapter, you can use the Zoom Control app for iOS. You can also use the Zoom F-Control control surface.

We'll have a full review after the F6 starts shipping, hopefully in June 2019. Pricing still to be announced.

Gear discussed and used to record this interview:

Zoom F6 Audio Field Recorder

Amazon: Coming Soon

B&H: Coming Soon

Blackmagic Pocket Cinema Camera 4K

Panasonic 12-35mm f/2.8 OIS Lens

Electrovoice RE50L Dynamic Interview Microphone

Sound Devices 633 Audio Field Recorder/Mixer

Copyright 2019 by Curtis Judd

Music Copyright 2017 by TVAC. Used with permission.

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Send Audio from Zoom F4 to Camera 3.5mm Mic Input

This is one segment from the upcoming Zoom F4 course which will be available soon at our school.

In this episode, I run through the process of feeding audio out of the Zoom F4 into the 3.5mm microphone input on your hybrid, mirrorless, or DSLR camera. Some cameras make this a little more difficult because their microphone inputs can only be “turned down” so far (lookin’ at your Panasonic), which is not enough. But we also show you how to work around this issue.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at https://school.learnlightandsound.com including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Links to gear used in this video:

Zoom F4 - Audio Recorder and Mixer. Course on how to get the most of your Zoom F4 coming soon!

Juicebox 95Wh Cine Battery - I use this to power my F4 for 8 hours. Need the cable below as well.

And you’ll need this cable:

D-Tap to Hirose 4-pin cable to power the F4 with Cine Batteries

TalentCell 22,400mAh Battery - a less expensive rechargeable battery to power the F4 for many hours

And you’ll also need this cable:

DC Barrel to Hirose Cable

Aputure COB 120DII LED Light - this is my main workhorse light for 90% of my video work.

Nikon Z6 & 24 - 70 f/4 Lens - used in this video to demonstrate how to feed sound from the F4 to camera

Panasonic GH5

Olympus 45mm f/1.8 Lens - wow, super sharp, fast lens. Love this for product shots like this video

Copyright 2019 by Curtis Judd

Music Copyright 2019 by Cary Judd. Used with permission.

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Q&A 25 March 2019

In this episode, we answer your questions on sound for video.

00:20 Recording Cars

03:57 Zoom H4n & Samson CO2?

06:22 How to sweeten dialogue sound

11:10 Which boom microphone for indoors?

13:00 Apps to automix dialogue in post?

15:00 MixPre as audio interface - does quality degrade when recording to screen recording app?

16:54 How much PC do I need to run Premiere Pro and DaVinci Resolve?

18:32 How to capture a noise sample? (Need more info)

18:57 Zoom H6 - remote reduces handling noise?

19:36 How to aim a super cardioid boom microphone

20:50 Replacing lavalier microphone for RODELink

22:28 RODECaster Pro multitrack recording to SD card?

24:12 Batch processing audio in RX and Audition?

25:14 Which sound effects should I record when I'm the mixer for a video?

28:05 Why is my compressor letting peaks through?

29:24 Boom and lavs to director's audio feed? AES42 digital audio with A10 and SD 633?

32:08 Panasonic 991 and timecode and post sync?

35:01 Pocket Cinema Camera 4K and MixPre - line level feed

36:28 Which specs can help you choose a recorder or microphone if you can't try it hands on?

41:11 Which boom mic and recorder do you recommend for interviews for $1200 or less?

43:18 RODE NTG3 or Deity S-Mic 2 sounds closer to the 416?

44:27 What is the difference between the Sound Devices MixPre-3 and MixPre-3M and can I use the "M" version for film and video?

47:55 How do I gain stage a Sennheiser G3 wireless system and Zoom F8n?

49:42 What is a timecode workflow for shooting music videos?

See this workflow information: 

https://www.bamfsound.com/how-to-music-video-playback-with-ltc-timecode/


Gear discussed/used in this session:

RODECaster Pro - used to record this session

Sound Devices MixPre Series

Zoom F8n - Very good value for money on a pro/prosumer audio recorder

Sennheiser G3/G4 Wireless Microphone system - note that you need the correct version with frequencies you can use in your region. Contact a reseller in your country for details.

Deity S-Mic 2 shotgun microphone

RODE NTG3 shotgun microphone - I prefer the sound of this on most voices.

Sennheiser MKH416 shotgun microphone - the classic shotgun microphone that seemingly everyone is trying to mimic at enthusiast prices

Blackmagic Pocket Cinema Camera 4K - I find that I use this more often than any of my other cameras these days.

Tentacle Sync timecode generators

Izotope RX7 - my favorite app for cleaning and optimizing audio clips

Samson C02 - budget boom microphone - comes in a set of 2. Good budget option for interviews.

Zoom H5 - budget recorder with 2 XLR inputs

Tascam DR-60DmkII - budget recorder with 2 XLR inputs

Zoom H6 - budget recorder with 4 XLR microphone inputs

Copyright 2019 by Curtis Judd

Outro music from Artlist by Kick Lee. You can receive a 2 month discount on a subscription to Artlist, a subscription service for stock music you can use with your videos. Check it out at Artlist.io.

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Audio Recorders for Filmmaking 2019: Choosing a Sound Recorder for Your Video Projects

In this episode, I explain my opinions on each of the sound recorders and mixers I’ve used for filmmaking. This includes the following. Click the links to jump ahead:

00:36 Zoom H1, H1n, and Tascam DR-05 Handheld recorders

03:00 Zoom F1 lavalier and on-camera recorder

05:17 Tascam DR-10L and Lectrosonics PDR mini body pack lavalier recorders

06:43 Tascam DR-60DmkII, Zoom H4n Pro, Zoom H5, Zoom H6

11:53 Centrance Mixerface R4R

12:50 Roland R-88 (Discontinued but can find used)

13:48 Zoom F4/F8/F8n, Sound Devices MixPre, Tascam DR-701D

32:21 Sound Devices 600 Series and Zaxcom Maxx, Nomad, & Deva

Recorder/Mixer Reviews - If you want more detail:

Zoom H1n: Handheld recorder which is a good option for using it like a wireless lavalier recorder

Zoom F1: Small recorder made for recording lavalier microphones or as a camera-top shotgun mic

Tascam DR-10L: This is my favorite tiny recorder for using in place of a wireless lavalier microphone

Lectrosonics PDR: Pro level lavalier microphone recorder.

Tascam DR-60DmkII: My favorite budget recorder with XLR inputs for recording on location

Zoom H4n Pro: Ok option if your XLR microphone has a strong output signal. Not a good option for mics like the RODE NTG2

Zoom H6: Much better option than the H4n Pro. But the screen is hard to see in direct sunlight

Centrance Mixerface R4R: Incredibly durable handheld recorder with 2 XLR inputs, great preamps, but no screen

Zoom F4: 4 XLR microphone inputs. Very good preamps and timecode generator

Zoom F8n: Probably the most value for money. 8 XLR inputs with great preamplifiers and durable build

Sound Devices MixPre-6: 4 XLR inputs, very good preamplifiers, analogue limiters, and durable build

Sound Devices MixPre-10T: 8 XLR inputs, very good preamplifiers, analogue limiters, timecode generator, and durable build. This is my backup recorder/mixer for paid jobs.

Zoom F8, Sound Devices MixPre-6, and 633 Sound Sample Comparison: Hear the difference between the Zoom F, Sound Devices MixPre, and Sound Devices 633. You’ll need some good headphones or speakers.

Zoom F vs Sound Devices MixPre - Which should you buy?: A little perspective on which might be best for you.

Sound Devices MixPre Control Surfaces: If you’re at a table, desk, or cart, these control surfaces can make mixing a little easier.

Zoom F-Control Control Surface: If you’re at a table, desk or cart, these control surfaces can make mixing a little easier.

Sound Devices 633: Why pros use expensive recorders/mixers like the 633

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Fairlight and Audition, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Links to gear used in this video:

Zoom H1n

Tascam DR-05

Zoom F1

Tascam DR-10L

Lectrosonics PDR

Tascam DR-60DmkII

Zoom H4n Pro

Zoom H5

Zoom H6

Centrance Mixerface R4R

Zoom F4

Zoom F8n

Sound Devices MixPre-3

Sound Devices MixPre-6

Sound Devices MixPre-10T

Sound Devices 633

Zaxcom Maxx, Nomad, Deva

Anker USB-C Battery Bank

Aputure COB 120DII LED Light

Blackmagic Pocket Cinema Camera 4K

Panasonic 12-35mm F/2.8 OIS Lens

Panasonic GH5

Panasonic GH5S

Copyright 2019 by Curtis Judd

Music Copyright 2018 by Cary Judd. Used with permission.

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Zoom F4 Firmware, Fairlight, & Sennheiser XSW-D Wireless

In our first audio-only Sound for Video Session, we cover the new features Zoom added to the F4 recorder in the 3.0 firmware update. Now F4 users have AutoMix an the Advanced Hybrid Look-Ahead limiters that were previously only on the F8 and F8n.

We also cover my impressions of the Fairlight digital audio workstation page in DaVinci Resolve 15.2.4. It is getting pretty close to the point where I can move to Fairlight and away from Adobe Audition. There are still some minor issues. In fact, in mixing this episode, I learned that Resolve has issues exporting audio only projects. Sigh.

And finally, we talk about a new wireless lavalier microphone I just received in for review: Sennheiser XSW-D Portable Lavalier Set. I have yet to do the review, but cover some of its features here. This is a consumer/prosumer grade wireless system that is made to be as easy to use as possible. The review should appear on my YouTube channel in the next few weeks.

Gear used/discussed in this episode:

Zoom F4 audio recorder

DaVinci Resolve - Free video editing, coloring, and audio mixing

Sennheiser XSW-D Portable Lavalier Set - Wireless microphone system for those who need wireless to be as simple as possible

RODECaster Pro - Mixer and recorder used to record this session

Golden Age Project R1 Active mkIII - Affordable ribbon microphone which I used to record this session.

Copyright 2019 by Curtis Judd

Outro music from Artlist: Call on Me by Kick Lee. You can receive a 2 month discount on a subscription to Artlist, a subscription service for stock music you can use with your videos.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

RODECaster Pro Review

In this episode, we take an in-depth look at the new RODECaster Pro recorder, mixer, and audio interface designed specifically for podcasting and recording panel discussions. I have to confess that I was originally not that enthused about the RODECaster Pro, but now that I’ve use it a for a couple of weeks, WOW! I’m surprised by the quality of sound that it produces and find the effects more effective than I expected. It is much easier to use than most mixers for those that aren’t audio engineers making this a great choice for those less interested in spending lots of time learning how to get better sound for their podcasts. And even for audio nerds like me...well, I'm buying this which was originally just on loan for the review!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Links to gear used in this video:

RODECaster Pro

Sony MDR-7506 - My go-to headphones for when I’m recording

Audio Technica AT2005 Dynamic Microphone - I recorded this episode with this microphone. Amazing mic for its price!

Electrovoice RE20 - Classic broadcast dynamic microphone. Dani was recorded with this in our demo

Shure SM7b - another classic broadcast dynamic microphone. Almost everyone sounds awesome with this microphone

Electrovoice RE50L - A common reporter’s microphone. Emma was recorded with this in our demo

Blackmagic Pocket Cinema Camera 4K - I used this to record most of this episode

Panasonic 12-35mm F/2.8 OIS Lens - Used on the Pocket 4K camera

Copyright 2019 by Curtis Judd

Music Copyright 2019 by Cary Judd. Used with permission.

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!