Hiding a Lavalier Mic Under a T-Shirt | Super Easy!

In this episode we walk you through a quick and easy way to hide a lavalier microphone under a T-shirt.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Petrushkha Mierzwa’s book ‘Behind the Sound Cart: A Veteran’s Guide to Sound on the Set’ — Amazon

- Transpore Tape — Amazon

- SHURE Twinplex TL-48 Lavalier Microphone — B&H, Sweetwater

- Amaran 200x S LED light — B&H, Amazon, Aputure

- Aputure Light Dome II soft box — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

Izotope RX Voice De-noise In Depth - Remove Room Noise

In this episode, we demonstrate how to use Izotope’s RX Voice De-noise plugin to reduce things like fan or any steady sort of noise in the background. We dive into the details of how the plugins works and what each of the settings do so that you can optimize your recordings and de-noise effectively. The Voice De-noise plugin is part of Izotope RX Elements, Standard, and Advanced.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Izotope RX - B&H, Sweetwater

- Earthworks SR-314 microphone - B&H, Sweetwater

- Sound Devices MixPre II Series audio recorder - B&H, Sweetwater, DVE Store, Amazon

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

Leveling Dialogue Audio with Izotope RX or any other Leveling Plugin

In this episode, we demonstrate how to use a leveler to even out audio levels between two different people recorded on a single microphone. We do this particular demonstration in Izotope RX, but the same principles apply to other apps and plugins. Adobe Audition, for example, has a similar leveler plugin.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Izotope RX - B&H, Sweetwater

- Earthworks SR-314 microphone - B&H, Sweetwater

- Sound Devices MixPre II Series audio recorder - B&H, Sweetwater, DVE Store, Amazon

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

My Business Journey

I haven’t talked a lot about how I make money with this Learn Light and Sound business. But here’s an interview I recently did with my friends at Genius Link for their blog. I hope you find it helpful in some small way.

Quick Interview Lighting with LED Panels - Part 1

In this episode, I demo and explain how I approach two separate lighting designs for interview shots. When lighting corporate video - interviews - I often have to work quite quickly and set up the cameras, sound, and lighting within 20 minutes. Here are a couple of examples to give you some ideas you might incorporate into your interview lighting designs.

Thanks to Litepanels for providing the lighting instruments used to produce this video.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Litepanels Gemini 1x1 Hard RGBWW LED Light - B&H, Amazon

- Litepanels Gemini 1x1 Soft RGBWW LED Light - B&H

- Grid for 60 degree beam - B&H, Amazon

- Litepanels Bluetooth dongle for Gemini - B&H

- Litepanels Astra series of panel lights, more affordable - B&H

- DoP Choice Snapbags for Litepanels 1x1 lights - B&H

- Sekonic Speedmaster L-858D-U Light Meter - B&H, Amazon

- Canon C70 cine camera - B&H

- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon

- Blackmagic Design Pocket Cinema Camera 6K - B&H, DVE Store, Amazon

- Signa EF 24-70 f/2.8 DG OS ART lens - B&H, Amazon

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself:

Copyright 2021, Curtis Judd

Understanding How to Loudness Normalize Your Audio for Video

In a previous episode, we covered the difference between volume and loudness and introduced the loudness metrics LUFS and LKFS. In this video, we talk about how to loudness normalize the audio for you videos in conceptual terms with a practical example. For the example, we edit our video and mix the audio in DaVince Resolve and then loudness normalize the audio mix in Izotope RX. But the goal here is to show you the concept so that you can adapt loudness normalization into your workflow.

Please watch part 1 first where we cover loudness, LUFS, and LKFS.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.

Support my work creating videos by donating.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- TZ Audio Stellar X3 large diaphragm condenser microphone - TZ Audio

- Sound Devices MixPre recorder/mixer/audio interface - B&H, Sweetwater, DVEStore, Amazon

- Panasonic GH5 - B&H, Amazon

- Panasonic 12-35mm f/2.8 OIS Lens - B&H, Amazon

The intro and outro music for this episode is from Musicbed - “For the Kids” by Utah. Get the best music for your videos at Musicbed: http://share.mscbd.fm/curtisjudd

Copyright 2021, Curtis Judd

Aputure LS 300x Review - Bi-color Point Source LED Light

In today’s episode we review the new Aputure Light Storm 300x bi-color single point light for video and photography. We measure the color quality using the Spectral Similarity Index and it’s output using the Sekonic C-800 spectrometer. We also show several lighting setups with the 300x and run through the new features.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, Pictureline, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Aputure LS 300x Bi-color point source LED Light - B&H Amazon Pictureline

- Aputure LS 300D II daylight point source LED light - B&H Amazon Pictureline

- Aputure Light Dome II - B&H Amazon Pictureline

- Aputure Light Dome Mini II - B&H Amazon Pictureline

- Aputure Spotlight Mount - B&H Amazon Pictureline

- Aputure Fresnel 2x - B&H Amazon Pictureline

- Aputure Barn Doors - B&H Amazon Pictureline

- Aputure Lantern - B&H Amazon Pictureline

- Aputure MC Mini LED Panel Light - B&H Amazon Pictureline

- RODE NTG3 Shotgun Microphone - B&H Amazon Sweetwater

- Sound Devices 888 Audio Recorder/Mixer - B&H Sweetwater

- Blackmagic Design Pocket Cinema Camera 6K - B&H Pictureline

- Sigma 24-70 f/2.8 DG OS HSM Art Lens - B&H Pictureline

Get a free trial of the best music for your videos at Musicbed

Copyright 2020, Curtis Judd

Which LED Lights for Each Situation? 5 Soft LED Lights for Video

With the massive number of LED lights available for video these days, and now that their color quality has dramatically improved from just a few years ago, when might you want to use one type of LED light versus another? In this episode, we demonstration when you might want to use a very small LED panel (e.g., 5 inch) versus a tube LED versus a medium sized panel or mat light versus a huge four foot by four foot mat LED light.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Gear used and mentioned in this episode:

Andycine Boling P1 RGB light with effects - Amazon

CAME-TV Andromeda RGB LED Slim Tube Lights - Amazon

- Remote Amazon

- 4 pack + Remote Amazon

D&O Lighting 180W - my pick for best all-around light - Amazon

Westcott Flex Cine 1x1 Mat LED Lights - Best pro level travel kit

- Amazon

- B&H

FalconEyes 120TDX 4x4 Mat LED Light - My pick for getting cinematic shots you cannot get with smaller lights

- Amazon

- With Honeycomb grid to prevent spill - Amazon

- Direct from Vitopal

Blackmagic Design Pocket Cinema Camera 4K - B&H

Panasonic 12-35mm f/2.8 OIS Lens - Amazon

Get a free trial of the best music for your videos at Musicbed

Copyright 2019 by Curtis Judd

Ethics statement: Some of the links above are Amazon.com, B&H Photo, or other affiliate links.

Sound for Video Session: dbx286s Demo & Settings

What is a channel strip? The dbx286s is a popular microphone preamp and processor, often called a channel strip, that is helpful in cases where you are live streaming or broadcasting. It can also be helpful when you need to save yourself some time in post by doing the processing while recording. Here we take a look at the 286s and show how to adjust the settings.

Please consider my sound for video classes.

Gear used to record this episode:

AKG C414 XLS large diaphragm condenser microphone (Amazon) - this is my new, main voice over microphone

dbx 286s Preamplifier and channel strip (Amazon) - new vocal processing channel strip. I’ve had a ton of requests for help setting this up so I had to add one to my collection so I can learn how to use it first.

Universal Audio Apollo x6 - Thunderbolt 3 audio interface used to take audio signal from the dbx286S channel strip, convert it to digital, and send to my computer for recording.

Copyright 2019 by Curtis Judd

Outro music from Artlist: Sunday by Rich Young Pixies - Amazing Journey. You can receive a 2 month discount on a subscription to Artlist, a subscription service for stock music you can use with your videos. Check it out at https://artlist.io/artlist-70446/?artlist_aid=Curtis_Judd_99&utm_source=affiliate_p&utm_medium=Curtis_Judd_99&utm_campaign=Curtis_Judd_99

Dialogue Editing for Film Demo

Editing the dialogue sound for your film and video projects can seem a little daunting, especially when you have two or more actors, each with a wireless lavalier microphone plus a boom microphone. How do you edit all those tracks? Do you just keep the boom and lavalier mics? Won’t it sound richer if you do keep them all?

It turns out that it generally will sound quite a bit worse if you keep them all and the main reason for using both lavalier microphones and a boom microphone is to give yourself options to use the best sounding mic in for each dialogue line.

In this demo, we show the basics on how to start a dialogue edit using Adobe audition. In this demo, we exported the edit of the film from Final Cut Pro X.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at my school including processing dialogue audio, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Links to gear used to record the film and this video:

XToCC - app to convert XML from Final Cut Pro to XML that Adobe Audition can use:

Electrovoice RE20 - The mic I used to record my voiceover for this tutorial

Universal Audio Apollo X6 - Microphone preamp and Thunderbolt 3 Audio Interface used to record my voiceover for this tutorial.

Aputure COB120dmkII - Key light for lighting Amanda

Aputure Light Dome II - Newer version of the big soft box with faster setup and gel holder

Lupo Superpanel Full Color 30 - RGB 1x1 panel light for Lighting Bridget

Audio Ltd A10 Wireless Microphone System - Used for Bridget and Amandas lavalier microphones

Countryman B6 Lavalier Microphone - Bridget’s lavalier mic

DPA 4160 Lavalier Microphone - Amanda’s lavalier mic

Sound Devices 633 Audio Recorder/Mixer - Field recorder used to record the film sound

Sennheiser MKH 8050 - This is the boom mic used to record the film

Copyright 2018 by Curtis Judd

Music Copyright 2018 by Cary Judd. Used with permission.