Recorder

ATOMOS Ninja V ProRes and Avid Recorder: NAB 2018

ATOMOS makes HDMI/SDI recorders with very nice monitoring capabilities along with focus and HDR exposure tools. Up until NAB 2018, they've made 7" and 19" monitors. But now they've announced their first 5" monitor/recorder with the capabilities of their Inferno line of recorders (top of the 7" lineup) - Focus, exposure, high frame rate, and HDR tools as well as ProRes and Avid DNxXX recording. This makes shooting and editing faster and with high bitrate and high quality codecs that playback smoothly so you don't have transcode.

Now why would you want to use a recorder like this? Here's why I use them:

Gear covered and used to shoot this episode:

ATOMOS Ninja V 4K HDMI HDR Recorder Monitor (coming Q3 2018)

RODE Reporter Microphone

RODE iXLR Adapter (Record a dynamic XLR microphone to iPhone or iPad)

Panasonic GH5 - My favorite, small camera for handheld use with a great image stabilizer

Panasonic 12-35mm f/2.8 OIS Lens - incredibly versatile lens that is on the GH5S most of the time

Copyright 2018 by Curtis Judd 

Music - MzA by Cary Judd, used with permission.

Zoom F1 Audio Field Recorder

Zoom’s new F1 is a tiny audio field recorder which works well in place of a wireless lavalier system but can also be used as a camera-top shotgun or “wireless” shotgun microphone. Here’s our overview of the Zoom F1.

Thanks to B&H for lending us the F1 for this overview.

Links to gear discussed and used to record this session:
Zoom F1 (with lavalier microphone)

Zoom F1 (with shotgun microphone)

32GB microSDHC Card (you’ll need one, not included with the F1. This'll give you over 30 hours record time at 48kHz, 24 bit)

Mic Stand Adapter (I used this to mount the shotgun mic configuration on a regular 5/8” mic stand)

Voice Technologies VT500 Lavalier Microphone (this does NOT come with the F1)

Panasonic GH5S (My current favorite small camera)

Panasonic 12-35mm f/2.8 OIS Lens - incredibly versatile lens that is on the GH5S most of the time

Copyright 2018 by Curtis Judd