Audio

RODE VideoMic Me-L Review: Better iPhone Audio

If you shoot video with your iPhone or iPad and are looking to improve the quality of your audio, the RODE VideoMic Me-L might be the solution for you. This little mic attaches to your phone via the lightning port and with its 1/2 inch capsule and directional pickup pattern, it helps focus the sound and reduce the noise you capture. Here we take a closer look at how it works in the difficult situations we often find ourselves such as windy outdoors, crowded, noisy spaces, and even in relatively quiet household rooms.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at my school including one that focuses on processing dialogue audio!

Links to gear some of the gear we used here:

RODE VideoMic Me-L for iPhone and iPad

Panasonic GH5s Camera - my favorite small camera for video, used for a couple of the b-roll shots

Panasonic 12-35mm f/2.8 OIS Lens - this is the the lens I use more than any other on the GH5s

Copyright 2018 by Curtis Judd

Music Copyright 2018 by Cary Judd. Used with permission.

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: MixPre 10T Power Options

What are the options for powering the Sound Devices MixPre-10T? Here we cover the main options to keep your recording sessions smooth and trouble free.

This is an excerpt from my course, Getting the Most From Your MixPre-3, 6, 10T. Please consider my sound for film classes available over at the school.

Gear and links discussed/used to record this episode:

Sound Devices MixPre-10T Audio Recorder/Mixer

Sennheiser MKH 8050 Supercardioid Boom Microphone (used to record this segment)

AC to Hirose Adapter (B&H) If you’ve got AC power available, this will power the 10T for as long as you need.

12 Volt Battery Bank (Amazon): One of the more affordable powering options. There’s also a higher capacity version for twice the price.

DC Barrel to Hirose cable (Amazon): Required to connect the above battery bank to your MixPre-10T

JuiceBox V-mount (Amazon): Cinema style battery that will power the MixPre-10T for up to 10 hours, depending on how many mics and phantom powered channels you use.

D-tap to Hirose cable (Amazon): Use this cable to attach the V-mount battery to your MixPre-10T

Remote Audio BDS (Battery Distribution System - B&H): Pros use solutions like this - one battery will power everything in your bag, including wireless. Not for use with consumer grade wireless systems.

Hi-Q Style battery (B&H): Li-Ion battery with a microchip which optimizes the performance of the battery over time. This is the battery system I use.

Hi-Q Battery cup to BDS cable (B&H): I use this cup/cable to attach the Hi-Q battery to the BDS box.

NP1 Style battery. This is the “2nd option” I didn’t elaborate on in the video, very similar to the Hi-Q batteries, but without the microchip (B&H). If buying today, I’d go with the Hi-Q instead.

Copyright 2018 by Curtis Judd

Outro music licensed from Artlist: Call on Me by Kick Lee. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound Devices MixPre 10T Timecode Setup

How do you set up timecode on a MixPre-10T? Let's take a look at free run timecode on the 10T where the 10T is the master clock.

This is an excerpt from my course, Getting the Most From Your MixPre-3, 6, 10T. Please consider my sound for film classes available over at http://school.learnlightandsound.com

Gear and links discussed/used to record this episode: 

Sound Devices MixPre-10T

Sennheiser MKH 8050 Supercardioid Boom Microphone (used to record this segment)

Copyright 2018 by Curtis Judd

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Get a Grip - Filmmaking Discussion on Light & Sound

Last week I had the pleasure of sitting down for a discussion with my new friends Felipe Baez and Gabriel Spaulding to talk light and sound for film. Had a great time and I'm impressed with the quality of their production! These guys have years of experience in the video production world. Our hour-long conversation felt more like 15 minutes. Thanks for Felipe and Gabriel for inviting me on their show.

In this episode we cover the need to re-allocate filmmaking budgets to include lighting and sound gear rather than just cameras - the most common mistake people make when getting started in filmmaking.

Oh, and they shoot at true 24fps. These guys mean business!

Sound for Video Session: Zoom F8/F8n Basic Settings

What are the basic things you need to setup to get recording quickly with the Zoom F8 or F8n? We cover them here!

This is an excerpt from my upcoming course, Getting the Most From Your Zoom F8/F8n. Please consider my sound for film classes available over at the school.

Gear and links discussed/used to record this episode: 

Zoom F8n Audio Field Recorder

Sennheiser MKH 8050 Supercardioid Boom Microphone (used to record this segment)

Copyright 2018 by Curtis Judd

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

MAONO AU-XLR20 Lavalier: Inexpensive XLR Lavalier Microphone

Are there any decent, low-self-noise, XLR based lavalier microphones you recommend? This question has come up quite often over the last several years. So in this episode, we have a look at and listen to the MAONO AU-XLR20, a very affordable XLR lavalier microphone which can be powered by the microphone input, or provide its own power.

You can access a sample wav file directly from the MAONO AU-XLR20 and Zoom F8n here.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at our school including one that focuses on processing dialogue audio!

Links to some of the gear used in this episode:

MAONO AU-XLR20 Lavalier Microphone

Zoom H4n Pro Audio Recorder

Zoom F8n - The audio for this episode was recorded with the F8n

Lupo Superpanel Full Color 30 RGBW LED Light - used for that crazy purple background. Review coming soon!

Panasonic GH5s Camera - my favorite small camera for video

Panasonic 12-35mm f/2.8 OIS Lens - this is the the lens I use more than any other on the GH5s

Copyright 2018 by Curtis Judd 

Music - Copyright 2018 by Cary Judd, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Audio Normalization: Make Your Video Consistently Loud

What is audio normalization? What does it actually do to your sound clip or file? In this episode we cover the two main ways to normalize your audio and why you should use loudness normalization rather than peak normalization to get consistently loud videos.

Links to gear some of my favorite gear:

Zoom F8n - The audio for this episode was recorded with the F8n

Panasonic GH5s Camera - my favorite small camera for video

Panasonic 12-35mm f/2.8 OIS Lens - this is the the lens I use more than any other on the GH5s

Sennheiser MKH 8050 Boom Microphone

Copyright 2018 by Curtis Judd 

Music - MzA - Copyright 2017 by Cary Judd, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Sound for Video Session: Q&A

In this week's live Sound for Video Session, we'll take a shot at answering your sound for video questions. You can submit them live, or for future sessions, just sign up for free over at http://school.learnlightandsound.com and I'll email you when its time to submit.

Gear discussed in this episode:

dbx286s Vocal Channel Strip - an analogue preamp, compressor, de-esser which can be useful for live streaming

Oscar SoundTech Lavalier Microphones

Lavalier Microphones:
DPA 4160
Sanken COS-11D
Countryman B6
Voice Technologies VT500

Copyright 2018 by Curtis Judd

Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!

Zoom F8n iPad/iPhone App

If you use a Zoom F8 or F8n to record audio, there’s an iPad/iPhone app that allows you to wirelessly control your audio recorder. In this episode, we run through the features and settings available on the app to make setting up and operating your Zoom F8 and F8n easier and more convenient.

This is an segment from my upcoming course on the Zoom F8 & F8n which will be released in the next few weeks. If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at the school, including one that focuses on processing dialogue audio!

Links to gear discussed and used to shoot this episode:

Zoom F8n Audio Field Recorder

Zoom F8 The older version released in 2015. Still great! (While supplies last) - This episode was recorded with the Zoom F8

Panasonic GH5s Camera - my favorite small camera for video

Panasonic 12-35mm f/2.8 OIS Lens - this is the the lens I use more than any other on the GH5s

Sennheiser MKH 8050 Boom Microphone

Copyright 2018 by Curtis Judd 

Music - MzA - Copyright 2017 by Cary Judd, used with permission

Ethics statement: Some of the links above are Amazon.com or B&H Photo affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!