Sound for Video Session — Hearing Compression & Q&A

In this week's session, we'll go back to basics and have another go with compression for spoken word audio. But this time, we'll focus on HEARING compression and avoiding the use of visual tools when setting up a compressor. Then we answer your sound for video questions.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Earthworks ETHOS microphone — B&H, Sweetwater

- SHURE KSM8 dynamic microphone — Sweetwater, B&H, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Panasonic GH5 camera - B&H, Amazon

- Canon C200 Camera - B&H

- Canon EF 24-105mm f/4 lens — B&H, Amazon

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Compression for Dialogue Audio - Presets for Video Editors - Quick and Dirty

Are you a video editor and cannot or will not round-trip your audio over to an audio editing app to compress and even out your sound? If so, here’s a quick and dirty way to use a compressor and adjust two quick settings to get your audio sounding consistent and loud enough. Not my first recommendation, but works in a pinch for videos that aren’t that precious or important.

Here’s how I’d really work on audio loudness when the sound really matters.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.

Support my work creating videos by donating at Ko-Fi.com

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Earthworks SR314 condenser microphone - B&H, Sweetwater

- Schneider Radiant Soft Diffusion Filter - B&H

- Canon C70 - B&H

- Canon RF 24-70 f/2.8L - B&H, Amazon

- ATEM Mini Extreme HDMI switcher - B&H. DVE Store, Amazon

- Aputure C120DII LED Light - Aputure, B&H, DVE Store, Amazon

- Aputure Light Dome II soft box - Aputure, B&H, Amazon

- Aputure Amaran 100D LED light - Aputure, B&H, DVE Store, Amazon

- Aputure MC tiny RGB LED lights - Aputure, B&H, Amazon

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

Compressor Settings for RODECaster Pro v2.1.0

In today’s episode, we show you how to adjust the compressor settings on the RODECaster Pro to get loud, great sounding dialogue recordings for your podcasts, livestreams, or video. These settings are available with firmware version 2.1.0 and higher.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at https://school.learnlightandsound.com including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, Pictureline or other affiliate links. As an affiliate, I earn from qualifying purchases:

- RODECaster Pro mixer/recorder - B&H, Sweetwater

- RODE NT1 condenser microphone - B&H, Sweetwater, Amazon

- Panasonic GH5 camera - B&H, Pictureline, Amazon

- Panasonic 12-35mm f/2.8 OIS lens - B&H, Pictureline, Amazon

Get a free trial of the best music for your videos at Musicbed

Copyright 2020, Curtis Judd

ATEM Mini Sound Settings - Compressor, EQ, Limiter, Expander

In today’s episode we run through how to setup the EQ, compressor, expander, and limiter in the Blackmagic Design ATEM Mini and ATEM Mini Pro. This will help you achieve better sound on your livestreams. And, the settings we cover can work in other situations as well such as post processing video sound or when using other hardware.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater Sound or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Blackmagic Design ATEM Mini Pro live-streaming USB capture device and switcher - B&H, Amazon

- Blackmagic Design ATEM Mini Pro live-streaming USB capture device and switcher - B&H, Amazon

- RODE NT1 microphone - B&H, Sweetwater, Amazon

- Sound Devices MixPre audio mixer/recorder - B&H, Sweetwater, Amazon

- Canon C200 camera used as the main camera here - B&H, Pictureline

- Panasonic GH5 used as the overhead camera here - B&H, Pictureline, Amazon

- Olympus 45mm f/1.8 lens for GH5 - B&H, Amazon

- Canon EF 24-105mm f/4L lens for C200 - B&H, Pictureline, Amazon

Get a free trial of the best music for your videos at Musicbed

Copyright 2020, Curtis Judd

Sound for Video Session: Limiter vs Compressor

In this week's session, we talk a little about the difference between a limiter and a compressor when it comes to recording dialogue thanks to a question from Gary Davies. Thanks Gary!

In short, a limiter is a very aggressive compressor, typically with a rather extreme compression ratio like 20:1. Limiters are generally used to prevent clipping and distortion when someone suddenly modulates and gets really loud. A compressor can also do that but is often used for other types of effects as well. More in the video!