In this episode, I share my impressions of 5 different headphones which I have used for production or post production filmmaking. We start out with a discussion about open vs. closed back design and impedance and why those matter when you’re choosing a set of headphones. As a bonus, we also cover two additional sets of headphones I use when I’m not making films.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Links to gear used in this video:
Sony MDR-7506 (Amazon)- My go-to headphones for when I’m recording
Beyerdynamic DT770 Pro 80ohm (Amazon) - Also very good when recording, super durable, a little bulkier in size
Sony MDR-ZX110 (Amazon) - When I give a director or producer a wireless feed of the audio, they get these with the receiver
Sennheiser HD820 (Amazon) - The most amazing headphones I have ever owned, but expensive and reserved for post production
Beyerdynamic DT880 Pro 250ohm (Amazon) - A very good set of open back headphones for post production, much more reasonably priced
Meze 99 Classics (Amazon) - Classy looking and good sounding “Lifestyle” headphones with low impedance for listening from phones and laptops
Sennheiser PXC 550 Bluetooth Noise Cancelling Headphones (Amazon) - My favorite travel and everyday headphones when I want isolation from the world
Blackmagic Pocket Cinema Camera 4K - I used this to record most of this episode
Panasonic 12-35mm F/2.8 OIS Lens (Amazon) - Used on the Pocket 4K camera
Copyright 2019 by Curtis Judd
Music Copyright 2019 by Cary Judd. Used with permission.