In this episode, I talk about when hard light is useful for interview video. Then we review the Lupo Dayled 1000 Dual Pro LED fresnel light. I love having a hard light to create background effects and the nice thing about hard lights is that you can bounce them to make them soft.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.
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Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Lupo Dayled 1000 Dual Pro LED fresnel light - B&H
- Lupo Superpanel LED lights - B&H
- Chimera 4x4 frame - B&H
- Chimera 4x4 full cloth - B&H
- 5-in-1 reflector - B&H, Amazon
- Sound Blanket Producer’s Choice by Vocal Booth to Go
- Spring Clips to hold bounce material on c-stand - Amazon
- C-stand - B&H, Amazon
- Foam core poster board - Amazon
- Sekonic C800 photo spectrometer - B&H, Amazon
- Sekonic Speedmaster L-858D-U Light Meter - B&H, Amazon
- Sennheiser MKH 8050 microphone - B&H, Amazon
- Sound Devices 888 audio recorder - B&H, Sweetwater
- Panasonic GH5 camera for b-roll - B&H, Amazon
- Panasonic 12-35 f/2.8 IOS Lens - B&H, Amazon
- Blackmagic Design Pocket Cinema Camera 6K - B&H, DVE Store, Amazon
- Signa EF 24-70 f/2.8 DG OS ART lens - B&H, Amazon
- Schneider Radiant Soft Diffusion Filter - B&H
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Copyright 2021, Curtis Judd