Emma Attempts to Review the iFootage 200BNA LED Light...

Lighting

February 11, 2024

In this episode Emma has a look at the iFootage SL1 200BNA, a 200-watt LED video light. This LED fixture is comparable to the Amaran 200x S in terms of both price and features, and scores surprisingly well on color accuracy measurements. In this video we’ll walk through the SL1’s feature set, take a look at its color quality, and do an in-depth comparison with the 200x S. Let’s jump right in!

Full Disclosure:
iFootage gave us the Anglerfish for the purpose of making this video. Nobody has paid us further, told us what to say, or reviewed this video prior to posting. All opinions shared here are our own.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX. See https://school.learnlightandsound.com for more info!

Support my work creating videos by donating at Ko-Fi.com: http://ko-fi.com/curtisjudd

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- iFootage SL1 200BNA LED COB Video Light — B&H, Amazon https://geni.us/YUZU4V
- Amaran 200x S — Aputure, B&H, Amazon https://geni.us/y6ym5V

Some of my other gear used in this episode:
- Sennheiser MKH50 microphone —  B&H, Sweetwater, Amazon https://geni.us/iYb065
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon https://geni.us/O8e0
- Impact Turtle-Base C-Stands — B&H, Amazon https://geni.us/8a8tt
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon https://geni.us/EreRQa
- Aputure Light Dome III Softbox — Aputure, B&H https://geni.us/AVHU1p
- Amaran 300c RGBWW Single-Point LED Light — https://geni.us/uGkDX
- Amaran Spotlight SE —  Aputure, B&H, Amazon https://geni.us/4DuyTz
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H https://geni.us/GWKt
- Canon C70 Cinema Camera — B&H https://geni.us/ABYB
- Canon RF 24-70 f/2.8 lens — B&H, Amazon https://geni.us/qwsEs
- Panasonic GH5 camera — B&H, Amazon https://geni.us/InspOl
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon https://geni.us/gr47

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://geni.us/G7by

Copyright 2024, Curtis Judd

Show video transcript

A two-person discussion (with the usual host away) reviewing the iFootage Anglerfish SL100BNA, a 200W bicolor LED light, compared throughout to the Amaran 200XS. Set up as the key light at 16.8% dimmer, f4, it's tunable from 2700K to 6500K to mimic daylight and offers real color range for matching mixed lighting.

iFootage claims an SSI (Spectral Similarity Index, measuring how closely a light matches a known reference like 5600K daylight or 3200K tungsten) of 91, achieved via a "honeycomb" LED chip array meant to distribute light more evenly than a traditional grid and to reduce fringing when barn doors are used. Testing confirmed SSI-Tungsten of 91 at 3200K and measured SSI-Daylight of 83 at 5500K; for comparison, the Amaran 200XS scored 90 SSI-Daylight, giving it a slight edge, though both are strong, high-quality scores achieved via different engineering approaches to managing LEDs' inherent blue spike.

It uses a standard Bowens mount (works with modifiers up to roughly a Light Dome III in size; don't go bigger given the light's smaller stature, or risk tipping it), has an umbrella holder, a simple yoke for tilt adjustment, four dimming curves (linear, exponential, logarithmic, S-curve, adjustable via the light or app), and 10 built-in effects (paparazzi, fireworks, lightning, strobe, welding, faulty bulb, TV, CCT cycling, explosion, pulse) — bicolor only, no RGB. It includes auto-overheat protection with an alert, auto fan-speed adjustment (careful not to block the top heat sink), and selectable low/quiet/ultra-quiet fan modes not available on the Amaran 200XS — useful for close, sound-sensitive setups, though switching fan modes mid-shoot when you expected it to stay silent can introduce unwanted noise.

A flicker test below 10% dimmer at high frame rates showed noticeably more flicker than the Amaran 200XS exhibits at comparable levels — avoid dimming below 10% for high-frame-rate work. The built-in effects suite (e.g., the Welding effect) felt less convincing than Aputure/Amaran's equivalents, though firmware updates could improve this.

Build quality: substantial but all-plastic body (including, on close inspection, the Bowens mount itself), with adjustment points (yoke tightener, mount screw) that felt more prone to stripping under strong torque than Aputure/Amaran equivalents — be gentle. It ships with a small, lightweight lantern modifier rather than a larger softbox.

Some UI quirks: CCT and dimmer use a scroll/click dial (quick-press moves in 20% dimmer increments), but navigating out of menus requires a long-press rather than simple scrolling back — not as intuitive as Amaran's system, though not difficult once learned. iFootage recommends their round-base monopod stand over a C-stand; it's more compact (good for tight spaces like behind a desk where C-stand legs don't fit) and doubles as a stand for cameras/recorders up to 20 lbs via a standard screw mount, but it's less stable than a C-stand (sandbag it regardless) and its quick-release height adjusters can be accidentally triggered when grabbing the stand to move it — better suited to permanent in-studio setups than location work.

The companion app, Lumen Plus, is comparable to Aputure's Sidus Link — easy to connect via Bluetooth (requires a one-time Bluetooth reset on first pairing), supports brightness/CCT control, presets, and multi-lamp control, and feels reasonably polished, though it does require creating an account. Its music-sync feature (using the phone/tablet's built-in mic) is poor — chaotic, unmusical flashing rather than meaningful sync, likely because this is a CCT-only (not RGB) light where music-sync effects have less room to shine anyway.

Priced at $369 USD versus $349 for the Amaran 200XS. Warranty is 3 years hardware / 1 year electronics if registered and purchased directly from iFootage's own site; only 1 year in both categories if bought through a third-party retailer.

Overall take: a genuinely color-accurate, capable light that could serve well as a key light or for color-matching work, but the iFootage ecosystem feels more geared toward studio creators than location professionals moving gear day after day — neither reviewer fully trusts either this or the Amaran 200XS for heavy daily location use, reserving that confidence for sturdier Aputure gear. Given the choice between this and the Amaran 200XS at a $20 price difference, personal preference leans toward the Amaran for its more mature app ecosystem, though the iFootage's quiet fan modes could tip the scale for sound-sensitive close-up work. Overall, credit to iFootage for beating most LED lights in this price range on color quality, even if the ecosystem is a tougher sell against Amaran's.