LEWITT

Expander, Compressor, and EQ Setup on the Lewitt Connect 6 Audio Interface

In this week’s episode, we demonstrate how to set up the expander, compressor, EQ, and maximizer for the Lewitt Connect 6 audio interface using its Control Center app. While we use this very specific app, the settings we demo here are very similar on almost every expander, compressor, and EQ. Of course, our demo focuses on spoken word audio/dialogue.

Check out Podcastage’s review here and Julian Krause’s review here.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Lewitt Connect 6 USB Audio interface — B&H, Sweetwater

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

LEWITT LCT 440 PURE Microphone - Voice Over & Podcast Perspective

In today’s episode, we review the LEWITT LCT 440 PURE large diaphragm condenser microphone from the perspective of podcasting and voice over. This microphone is priced at $269 USD at the time of this review and performs very nicely for that price. In the review we include recorded samples as well as off-axis and practical noise tests.

Difference between true condenser and electret condenser: https://www.neumann.com/homestudio/en/what-is-the-difference-between-electret-condenser-and-true-condenser-microphones

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, Pictureline, Musicbed, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- LEWITT LCT 440 PURE Microphone - B&H, Amazon

- Sound Devices 888 audio mixer/recorder - B&H, Sweetwater

- Blackmagic Pocket Cinema Camera 6K used for the main talking head shots - B&H, Pictureline

- Sigma 24-70 f/2.8 DG OS HSM ART Lens - B&H, Pictureline, Amazon

- Blackmagic Pocket Cinema Camera 4K used for most of the B-roll - B&H, Pictureline

- Olymus 45mm f/1.8 lens - B&H, Amazon

- Canon C200 camera used in some of the b-roll shots - B&H, Pictureline

- Canon 24-105 f/4L IS Lens - B&H, Pictureline, Amazon

- Panasonic GH5 camera - B&H, Pictureline, Amazon

- Panasonic 12-35mm f/2.8 OIS lens - B&H, Pictureline, Amazon

Get a free trial of the best music for your videos at Musicbed.

Copyright 2020, Curtis Judd