In this week’s Sound for Video Session, we take a first look at DaVinci Resolve 15 Beta’s Fairlight audio panel. This is a full-fledged digital audio workstation (DAW) within a comprehensive video editing, compositing, grading, and finishing application. We aren’t going to dig into all the details, but try to answer the question about whether one can now switch to DaVinci Resolve for audio mixing? The answer is different for everyone, but I hope you find this helpful in making the decision for yourself.
**Update: Several astute viewers have pointed out that you can set the loudness target (LUFS) in the settings. That's great news! It still is not an offline process - still need to play through the entire piece - but it is a step in the right direction.
Gear and links discussed/used to record this episode:
DaVinci Resolve with Fairlight Audio (beta or production and free or Studio versions)
Electrovoice RE20 Dynamic Broadcast Microphone
Allen & Heath SQ5 Digital Mixer/Audio Interface - This is my first time using this to record a Sound for Video Session. Seems like it worked nicely.
Copyright 2018 by Curtis Judd
Outro music licensed from Artlist: Keep an Eye by Back to Dream. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.
Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!