Sound for Video Session — Fairlight 18.6 & Q&A

I finally had a chance to spend a bit more time working on audio for a work project in DaVinci Resolve's Fairlight. In this episode, we'll show how to mix a simple video in Fairlight 18.6. Then we answer your sound for video questions.

Livestreams later today:

The Senior Tech with Matt Ruff

JJSC Tech with John

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon

- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon

- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Panasonic GH5 camera - B&H, Amazon

- Teleprompter Ikan 17" high bright — B&H

- Canon C200 Camera - B&H

- Canon EF 24-105mm f/4 lens — B&H, Amazon

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

How To Sync Audio to Video for Livestreams Using OBS

In this episode we show you how to sync your audio with your video while live streaming. Struggling with misaligned audio and video feeds in your stream? An offset, calculated using your stream’s frame rate, is an easy way to fix that. Let’s take a look at how it’s done!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- RODEX Streamer X integrated audio interface and capture card — B&H, Amazon

- Mackie DLZ Creator Digital Mixer for Podcasting, Streaming, and YouTube — B&H, Sweetwater, Amazon

- RODECaster Pro II Podcast and Streaming Production Studio — B&H, Sweetwater, Amazon

- Magewell USB Capture HDMI Plus Capture Card — B&H, Amazon

- Blackmagic Design ATEM Mini HDMI Live Switcher — B&H, DVE Store, Amazon

- Blackmagic Design ATEM Mini Pro HDMI Live Switcher — B&H, DVE Store, Amazon

- Blackmagic Design ATEM Mini Pro ISO HDMI Live Switcher — B&H, DVE Store, Amazon

- Blackmagic Design ATEM Mini Extreme/Extreme ISO — B&H, Amazon

- Amaran 200x S LED light — B&H, Amazon, Aputure

- Aputure Light Dome II soft box — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

Simple Sound in Premiere, Final Cut, or DaVinci using Accentize's DialogueEnhance2

In this week’s episode we have a look at Accentize’s DialogueEnhance 2 plugin. This multipurpose plugin can run in non-linear video editors — Premiere Pro, Final Cut, and Davinci Resolve — as well as digital audio workstations and includes everything you need to clean up audio for your videos, podcasts, and other dialogue-based projects. In this video, we walk through the DialogueEnhance feature set and explain how you might go about using each module to best clean up your dialogue sound. Let’s take a closer look!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Accentize DialogueEnhance 2 Plugin — https://www.accentize.com/dialogueenhance/ (not an affiliate link)

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

Sync Audio to Video in Resolve 18 Using Auto Sync or Manually

In this week’s episode, we demonstrate two ways to sync your separately recorded audio to video clips in DaVinci Resolve 18 for single and multicam video footage. The first method is auto sync based on sound — in this case, Resolve uses the audio recorded by the camera as a reference to sync up the audio from your separate audio recorder. If auto sync fails, and it will for some video formats in Resolve 18, we also demonstrate how to manually sync your audio clips to your video clips.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode — or that I use in my regular episodes. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Blackmagic Design Pocket Cinema Camera 6K — B&H, DVE Store, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Sound for Video Session — Fairlight Voice Isolation & Q&A

In this week's session, we'll demo the new Voice Isolation effect in DaVinci Resolve's Fairlight 18.1 and answer your sound for video questions.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- DaVinci Resolve Studio — B&H

- Earthworks ETHOS microphone — B&H, Sweetwater

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Panasonic GH5 camera - B&H, Amazon

- Canon C200 Camera - B&H

- Canon EF 24-105mm f/4 lens — B&H, Amazon

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Clean Dialogue in Acoustica — Rotate Phase for Loudness and Extract:Dialogue for Noise Reduction

In this week’s episode we start our multi-part series on Acoustica, a digital audio editor made by Acon Digital. Besides being a lower-cost alternative to iZotope RX, Acoustica is an interface for all your ‘audio editing, podcast creation, mastering, and audio restoration’ needs. With such features as spectral editing and retouch, multi-channel support up to Dolby Atmos 7.1.2, and ARA 2 integration capabilities, Acoustica is a compelling editor to add to your workflow. In this series, we walk through and test Acoustica’s Premium Edition feature set and compare it to industry standard suite iZotope RX 9.

In this installment of the series, we try out Acoustica’s Extract:Dialogue and Rotate Phase functions. First we’ll show you how to rotate phase on a recording in order to reclaim headroom during the loudness normalization process. Then, we test out the Extract:Dialogue plugin and compare its results to those from RX’s Dialogue Isolate. Let’s take a closer look!

Try out the full Acoustica Premium or Standard suite free for 30 days directly from Acon Digital (not sponsored).

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- SoundDevices MixPre II series — B&H, Sweetwater, DVE Store, Amazon

- Earthworks SV33 — B&H, Sweetwater

- Shure SM7B — B&H, Sweetwater, Perfect Circuit, Amazon

- Bebob Cinema Batteries — B&H

- D-tap to hirose cable to power with cine batteries — Amazon, B&H

- Aputure 600D PRO LED Light — Aputure, B&H, DVE Store

- Impact Luxbank softbox — B&H

- Aputure Amaran 100D — Aputure, B&H, DVE Store, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Prismatic Glass Gobo Cool Lavender creates the color pattern on the back wall - B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 F2.8L Lens — B&H, Amazon

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Sound for Video Session: Izotope RX9 Dialogue Isolate (take 2)

In this quick session, we recover from the technical debacle of last Sunday and run through Izotope RX9's Dialogue Isolate module. We also cover one question submitted ahead of time and wrap up with what happened to the stream on Sunday.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We also just added a course on sound for live-streaming with the ATEM Mini.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Allen & Heath SQ5 digital mixer - B&H, Sweetwater, Amazon

- Behind the Sound Cart by Patrushkha Mierzwa - Amazon

- Earthworks SR314 - B&H, Sweetwater

- Panasonic GH5 camera - B&H, Amazon

- Canon C70 Camera - B&H

- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon

- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

Sound for Video Session: Loudness Meters & Q&A

In this week's Sound for Video Session, we have a look at various loudness meters, from hardware to software, and then we cover your sound related questions.

ITU-BS.1770-4 Loudness standards document

Thanks to Musicbed for the music for this session - “Sunset Drive” by Virgil Arles. Get the best music for your videos at Musicbed. Also check out the playlist of songs we've used over time on the streams.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We also just added a course on sound for live-streaming with the ATEM Mini.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- tc electronic Clarity M stereo loudness meter - B&H, Sweetwater, Amazon

- Earthworks SR314 - B&H, Sweetwater

- Panasonic GH5 camera - B&H, Amazon

- Canon C70 Camera - B&H

- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon

- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

Izotope RX Phase — Fix Uneven or Asymmetric Audio Waveforms

Have you ever found that your audio waveforms are uneven or asymmetric — where the top of the waveform hits a much higher peak level than the bottom of the waveform? Or vice versa? And, is it a problem when it does? It turns out that this sometimes happens, especially with some men’s voices. And the problem is that you just aren’t left with enough headroom to boost or normalize the sound levels for your online videos or podcasts. In this episode, we show how you can use Izotope RX’s phase plugin to fix this issue. This will allow you to boost your sound levels without clipping or distorting.

The Phase plugin is available in RX Elements, Standard, and Advanced. See link for Izotope RX below.

Videos on Loudness: Volume vs Loudness How to Loudness Normalize your Audio

Special thanks to Paul Figgiani who provided valuable insights on waveform asymmetry and how to fix it.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Izotope RX - B&H, Sweetwater

- Sennheiser MKH8050 microphone - B&H, Amazon

- Sound Devices 888 audio field recorder/mixer - B&H, Sweetwater

- Earthworks SR-314 microphone - B&H, Sweetwater

- Sound Devices MixPre II Series audio recorder - B&H, Sweetwater, DVE Store, Amazon

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

Izotope RX De-click & Mouth De-click Demo

The Izotope RX De-click and Mouth De-click modules/plugins are helpful tools in managing mouth clicks, pops, and saliva noise in spoken word audio. In this episode, we demonstrate where, when, and how to use each of them.

The De-click plugin is available in RX Elements, Standard, and Advanced while the Mouth De-click plugin is only available in the Standard and Advanced versions of RX.

Mouth De-click is generally less aggressive and can be used to remove saliva noise and clicks within dialogue audio. The De-Click plugin is more aggressive and I usually only use it when I can select just the mouth click I want to remove.

Special thanks to Paul Figgiani who provided valuable insights on how best to use the De-click and Mouth De-click plugins. Paul shares insightful information on spoken word audio post processing over at Produce New Media.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Izotope RX - B&H, Sweetwater

- Earthworks SR-314 microphone - B&H, Sweetwater

- Sound Devices MixPre II Series audio recorder - B&H, Sweetwater, DVE Store, Amazon

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd